Wednesday, April 29, 2009

Freedom and Responsibility

To the extent that we're responsible, life is tragicomic and we are free. To the extent that we're not responsible, life is a melodrama or horror story and we are not free. If we want to be able to laugh at ourselves and forgive others, it seems to me that we should cultivate self-discipline and generosity, not excuses.

(Image from media.photobucket.com.)

Friday, March 27, 2009

Time Clipping Cupid's Wings (1694)


Pierre Mignard, 1610-1695

Sunday, February 22, 2009

The Courtesy of Intellectual Debate

Critics of postmodernism and poststructuralism, such as Alan Sokal, Paul R. Gross and Norman Levitt, Frederick Turner, Joseph Carroll, etc. have been criticized themselves for making straw men of their opponents' arguments. I think this criticism is valid to some extent: Turner's pointed critique of the postmodern avant garde in Culture of Hope and Carroll's treatment of "textualism and indeterminacy" in "Theory, Anti-Theory and Empirical Criticism" do tend to reduce much of the past 40 years of literary theory to grouchy caricatures. However, after reading some of the Marxist New Historicists on Shakespeare, such as Stephen Greenblatt, Jean Howard, Stephen Orgel, and Richard Levin, I couldn't help but notice that they also rely heavily on constructs such as the bourgeois straw man, the Western metaphysical straw man, the positivist straw man, the formalist straw man, the capitalist straw man, etc. Orgel and Greenblatt, in particular, see fit to mock and sneer at these as well.

Intellectual debate should be conducted like a martial art. Boxers touch gloves before striking their first blows, and often hug when a match is over. Karate fighters bow, showing mutual respect and proud submission to their tradition. Such games involve serious risk, but are as much an art and a dance as a "fight" per se. All martial arts have rules against hitting below the belt, and specify serious consequences for unsportsmanlike conduct. Once upon a time, scholarship had a similar code of conduct, if not camaraderie, that involved disinterestedness, objectivity, self-effacement, and neutrality. In recent years, this has been criticized (sometimes with good reason) as an ideological mystification "naturalizing" racism, sexism, the covert pursuit of class interests, and political partisanship.* Regardless, I think that, at the very least, scholars of all stripes can and should work harder to be courteous, civilized, and to acknowledge their own biases without resorting to demagoguery.

Politics, schmolitics--we're humans first and ideologues second. If the 20th century taught us anything, it's that even the most apparently humane political ideologies can end up machine-gunning each other into a ditch. If humanities scholars, of all people, can't have a civil conversation, then we might as well all give up and go home to pursue biochemistry degrees or sell carpet cleaner and credit cards over the telephone.

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*"Argument," according to a related line of thinking, is symptomatic of patriarchal aggression and ought to be replaced by "discussion," wherein no one, presumably, attempts to advance a logical position with the aim of changing another's mind.

(Image from chas-ma.com.)

Wednesday, February 18, 2009

Love, Personified


I suspect love finds its highest expression in the family. Here's mine.

Eva and Jeronym

Just needed a link to your picture, you old goat. Having met you even once, how could anyone ever forget you? Moc mi chybí.

(Eva Kronusová 1980-2006)

Thursday, November 20, 2008

Jack















He's all my exercise, my mirth, my matter;
Now my sworn friend, and then mine enemy;
My parasite, my soldier, statesman, all.
He makes a July's day short as December,
And with his varying childness cures in me
Thoughts that would thick my blood.

--William Shakespeare, The Winter's Tale

Thursday, November 13, 2008

Ideological Critique

Adventures of Huckleberry Finn uses the word "nigger" over 200 times. The Merchant of Venice depicts the humiliation and ruin of a Jewish villain at the hands of a Christian majority; Othello, a negro who strangles his perfectly innocent wife. The famous first line of Pride and Prejudice can be read as a blatant formula for prostitution, if one so chooses. The women of Sir Gawain and the Green Knight inspire and manipulate their men, but don't engage in any decapitating contests themselves.

It's relatively easy to point one's finger at a work of art, especially challenging art, and denounce it as ideologically unsavory in some way. Anyone can (re)apply this or that political formula (e.g. the "Woman in the Refrigerator," or any of the dozens of other ways to reduce a story to who's-doing-what-to-whom) and bandy about the -isms of the day in a denunciatory fashion. There are people with tenure right now who have made entire careers out of little else. It's a lot harder, however, to make a sincere effort to participate in an artist's world view, to try to give him or her the benefit of the doubt, to make an honest and uncompromising critique that nonetheless adds value to the world rather than merely taking it away.

I'm talking about imaginative generosity, not apologia. And I'm not always great at taking my own advice--I talk more lazy, cheap, snide, cynical shit than a lot of people I know. I'm just saying I'd rather watch Othello than Gothika.

(Image from mincer.en.alibaba.com.)

Thursday, November 6, 2008

Yahoos on Yahoo

So I was reading this news story about a fat man who killed his wife on Yahoo news today, and I impulsively clicked on the "comments" section. What I found there was worthy of part 4 of Gulliver's Travels:

"Throw the fat prick in jail!"

"omg!"

"These people are a threat and menace to our society!"

"U FAT FK" (my favorite)

I was so inspired by this sparkling commentary that I decided to leave one of my own:
When I want quality conversation, I go to the comments section of Yahoo news. Where else could I find so many people willing to share their informed, measured and enlightening opinions? Keep up the great work, folks!

When I tried to post it, however, I got the following message: "Oops! The comment you entered contained abusive language. Please re-enter and try again."

I can't tell if Yahoo's abuse filter is stupid or really smart.

(Image from www.lqart.org.)

Monday, November 3, 2008

I Like Starbucks


A lot of people hate Starbucks. They've been accused of using anti-competitive business strategies, like allowing certain locations to operate at a loss in order to run smaller, independent competitors out of business. They're also often disparaged, at home and abroad, as representing the metastasis of American-style consumerism--an aesthetically repulsive, morally dubious, homogeneous, tacky and inauthentic update on the same old mercantile "bourgeois" culture that populists and aristocrats alike have been hating on, in one form or another, since feudalism ended.

Permit me to digress for a moment: I have 2 coffeeshops in my hometown. One (let's call it "Rim Rorton's") has plastic booths and stools bolted to the floor, a 30 minute time limit in their seating area, and miserable employees who make minimum wage and wear humiliating fast food-style uniforms. The other ("B***** Street Cafe") is an independent establishment wherein a staff of slouching, moody undergraduate hipsters (who also make minimum wage) complete orders at their leisure, get stoned at work, and generally act like their customers should be grateful to get their coffee at all.

I like Starbucks. They're friendly, professional, relatively consistent, and not too expensive. Sure, they're only asking, "How are you today?" because they want my money, but that's better than a "Fuck you, Jack" from people who are still taking my money. If Naomi Klein and Kalle Lasn wanted to serve me better coffee for cheaper, and maybe throw in a heartfelt hug or handshake and a hot meal for the homeless in the bargain, then I'd happily throw my $1.70 their way. In the meantime, I'll get my morning coffee at Starbucks, and I won't feel guilty about it.

(Image from www.therealestatebloggers.com.)

Hipsters Hatin' on Hipsters

I just finished reading Adbusters' July 2008 article, "Hipster: The Dead End of Western Civilization", and I think Douglas Haddow got it mostly wrong--the counterculture hasn't lost its values at all. The beatniks, the hippies, the punks, the hip-hoppers, the ravers, the anti-consumer movement, etc. all concern(ed) themselves with an elaborate system of in-group fashion semiotics and justifications for having a good time (i.e. looking good and having fun) couched in contemporary political terms. Today's kids may just want to party without feeling as obliged to justify it as "subversive" or "revolutionary," but if they still want to be different from (i.e. cooler than) the kids across the street, then the aforementioned "countercultural" values are intact, minus some of the political pretension. I say good for them. Posers will always be posers, but posers who think they're activists are worse.

I can sympathize with Mr. Haddow's disappointment that the hipsters of 2008 aren't into the same militant anti-consumer pseudo-activism that the hipsters of 2000 were. Before too long, there might not be anyone left to buy Adbusters.

(Image from kidsnpets.files.wordpress.com. Read Joseph Heath and Andrew Potter's book for a better discussion of this subject.)

Friday, October 10, 2008

The Meaning of Life

Kilgore Trout once wrote a short story which was a dialogue between two pieces of yeast. They were discussing the possible purposes of life as they ate sugar and suffocated in their own excrement. Because of their limited intelligence, they never came close to guessing that they were making champagne.

--Kurt Vonnegut, Breakfast of Champions pp. 208-9.

(Image from "universe-review.ca.)

Thursday, October 9, 2008

The Paranoia of Political Correctness

Most people (e.g. me) whose parents weren't active in the KKK grew up thinking, rather naively, that racism is the belief that one's own race is superior and other races are inferior. By contemporary standards, this is not exactly true--the inner logic of political correctness is more convoluted than that. For example, a positive opinion of another group expressed for the wrong reasons is still racist (e.g. "orientalism," "white guilt"), while a sweepingly negative statement denigrating all members of a particular group is not necessarily racist: if the target group has more members and/or a higher average socioeconomic status than that of the person uttering the statement, it's "reverse racist." It can also be tricky to tell "ironic" racism from the real thing, especially in our present cultural climate, wherein edginess is valued over intelligence, and low quality satire often reinforces the very ideas it's intended to critique.

I imagine that people who are members of minority groups (most of whom actually belong to majority groups, in an extra-American context) feel just as frustrated, if not more so. They could probably describe the same sensation of walking on eggshells, the same feeling slightly guilty awkwardness whenever the issue of "race" comes up, and the additional fear that just maybe a group of 5 resentful crackers are going to be waiting in the alley with sticks in their hands and pillowcases over their heads.

Maybe the way we're all looking at the issue of "race" right now seldom makes anyone feel happy or secure. Maybe identity politics isn't a zero sum power game, and "race" (whatever that actually means--minor statistical variation in a single actively communicating global gene pool, maybe?) is less of a big deal than people seem to think. Perhaps racism isn't necessarily a hideous social cancer or a deeply entrenched, self-perpetuating "regime of power and knowledge" but rather a lazy and complacent in-group superstition that most people would happily give up upon learning that it's intelligent and profitable to do so. I suspect our current efforts to combat racism usually only make it worse, and the sooner we figure that out, the better off we'll all be.

(Image from www.reggie.net.)

Wednesday, October 8, 2008

$70 Worth of Five Dollar Words

I ran across this charming passage on a section of the ACLA website titled Diasporan Ecofeminisms: Towards a Nomadology of Eco-Ethical Resistance:


As contemporary ecofeminist scholarship asserts, the trajectory of globalization is predicated on an inherently patriarchal ethos that creates environmentally racist and misogynistic geopolitical spaces, spaces that systematically divide the population according to racial and gendered hierarchies. Consequently, it is essential we expose the corporate geopolitical hegemonies that are causal to the worldwide spread of human suffering and environmental destruction.

This isn't just bad writing, it's also untrue. The global emergence of free markets is probably the most efficacious antiracist, antimisogynist phenomenon on the planet right now. If "contemporary ecofeminists" did any serious, competent field work, they would find that the vast majority of indigenous populations have the same kinds of racial and gendered hierarchies as the rest of us. Environmental pollution and destruction of biodiversity are indeed worrisome, but history has shown that non-market systems (e.g. Chinese and European socialism) tend to be even worse for the environment--at least in market economies efficiency is profitable. Regardless, such a opaque, jargon-heavy style virtually guarantees that no one but "contemporary ecofeminist scholar[s]" will take this gobbledygook seriously.

John Brockman, in short piece titled Edge: The Third Culture, predicts that the traditional literary intellectual will soon become marginalized to the point of irrelevancy. Given the current state of affairs in literary theory and criticism, it's not hard to see why.

(Image from farm2.static.flickr.com.)

The Onion: Humor in Shackles


This week The Onion is experimenting with an 18th century period theme. This is quite tedious to begin with, but the hateful and spectacularly unfunny "Humor in Shackles," which features mock jokes about the torture and killing of black slaves, is in the worst possible taste. Mark Twain's classic anti-slavery novel Adventures of Huckleberry Finn uses the word "nigger" over 200 times, yet still manages to depict its black and white characters as deeply human. "Humor in Shackles," despite its PC language, merely exploits horrific imagery in order to turn the knee-jerk mechanism of dehumanization back onto the white slave owners, committing itself to the same mentality of tribalist hatred and oppression that permits atrocities like slavery in the first place. Shitty satire* merely perpetuates the kind of thinking it purports to criticize, and this week's issue of The Onion is a case in point. Boo-urns.

*Also see Stuff White People Like, Wonder Showzen, etc.

(Image from bbb.videokitchen.tv.)

Thursday, August 7, 2008

The Vocative Case

Thankfully, we don't have to worry too much about the vocative case in English, because our nouns don't change depending on what prepositional jigger they're paired up with. It's still there, though, even if we can't see it, and one thing we have to remember to do is use commas to set off any noun that we're addressing directly. This can be a person, as in the following example:

"I really think you should read more prose, Glenn, because Crime and Punishment isn't a fucking poem."

Or it can be an object:

"How do you feel about being sat on by that morbidly obese woman, chair?"

Or a pair of abstractions:

"You're a painted whore, Justice, and you, Truth, are a metaphysical chimera."

You should also use commas to set off the construction you x when you're calling someone a name:

"You keyed my car, you piece of shit."

In old school English (which, if it's recognizable at all, is probably Early Modern English), like in the King James Bible, the vocative case is sometimes marked with an O, as in the following sentence:

"O God, thank you for creating Pan's Labyrinth, the best movie ever."

(This is not to be confused with the interjection "Oh!" as in, "Oh! Pan's Labyrinth was such a good movie that my balls are still tingling!")

In some other languages, like Czech, for example, it's a little more complicated, because the ending of the noun changes as well. My friend's name is Ondra, but I have to change it to Ondro in the following sentence:

"You're still my friend, Ondro, even though you screwed my girlfriend after you both got drunk at Skleněná Louka that time."

Some people lament the abuse of commas. Well, I say, "Don't forget--neglect is abuse too!"

(Image from www.realtorwives.blogspot.com.)